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THREE:He turned. There was not a second to spare. The two long-haired fellows came nip and tuck. I see yet their long deer-hunters' rifles. But I remembered my pledge to this man's wife, and proudly found I had the nerve to hold the trigger still unpressed when at the apron of the bridge the rascals caught their first full sight of us as we sat humpshouldered, eye to eye, like one gray tomcat and one yellow one. They dragged their horses back upon their haunches. One leaped to the ground, the other aimed from the saddle; but the first shot that woke the echoes was neither theirs nor mine, but Sergeant Jim Langley's, though that, of course, I did not know. It came from a tree on our side of the water, some forty yards downstream. The man in the saddle fired wild, and as his horse wheeled and ran, the rider slowly toppled over backward out of saddle and stirrups and went slamming to the ground.He looked appealingly at Doctor Bronson. The latter smiled kindly, and then explained the origin of the phrase.

THREE:Alice got up from the table where she had just written an affectionate little note to Julia, and came up to her mother��s chair, quivering with apprehension."While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.

THREE:The strange figure stopped flapping his ears and opened his mouth. He opened it unpleasantly wide, as though trying to yawn. Then he shut it with a sharp snap, and without yawning. After that he shifted his whole body very slowly, as though endeavouring to arouse himself from an enormous apathy. And then he appeared to be waiting for something to happen.

THREE:"The Japanese have ventured upon that feature of Western civilization known as a national debt, and how they will get out of it time alone will determine. At present they are increasing their indebtedness every year, and their paper does not show any signs of redemption. They have also, as you have seen, a paper currency like our national issue in America, and so much like ours is it that it is known as the Japanese greenbacks. They have notes of the same denominations as ours; and they also have a fractional currency, such as we had during the war of 1861 and the years that followed. The premium on coin has gone steadily upwards, partly in consequence of the large issue, and partly owing to the hostility of foreign bankers and others, who have done all they could to bring the Japanese credit into discredit.""We passed the ruins of forts and towers every few miles, and our guide pointed out some of the towers that were formerly used for conveying intelligence by means of signal-fires. They are now falling to pieces, and are of no further use.